Showing posts with label textiles. Show all posts
Showing posts with label textiles. Show all posts

Tuesday, 13 October 2015

Printmaking: Fabric Printing


Following our screen printing induction, we were taught how to print onto fabric using the screen technique. Again, a two layer image was given to us, and our teacher had exposed our screens for us just to save time, but I have a post about screen printing that explains how! --> http://amberatlantis.blogspot.co.uk/2015/10/printmaking-screen-printing.html The only difference is the screen mesh is 43tw to let more ink through and the image is exposed for longer since fabric absorbs more ink. 

Pigments are mixed with one of 3 binders:

  • Transparent for keeping the colour the same saturation - great for printing onto light coloured or light weight fabrics
  • Opaque T binder which can be used as white or to create pastel colours - ideal for printing onto dark and/or heavy weight fabrics
  • Opaque KP binder - Used for printing luminous shades onto dark fabric

We pinned our fabric down to keep it flat and in place when printing, making sure any creases are ironed out before hand. Just like screen printing, you apply a generous amount of ink at the top of the image and then use a squeegee at a 45 degree angle to pull the ink towards you and covering the stencil. Make sure each layer is dry before you apply the next one - you can use a hair dryer to speed this up if you are pushed for time!


When all layers are applied and dry we seal our design using a heat press (although you can also use an iron) and remove the emulsion from the screen using cleaning solution and a jet wash.





Friday, 30 January 2015

Skills Rotation: Experimental Textiles

Experimental textiles is where you combine and alter fabrics with other art materials and techniques such as paint, and burning fabric to distress it. 

Our lessons on this subject linked in with our main project, 'A Tale of Two Words', where we were given two words and had to develop our outcomes based on them. For experimental textiles, the outcome aimed towards creating a wall mounted piece that was at least 1 metre squared in surface area.
I was given the words 'calm' and 'foxtrot'. When I think of the word calm I am instantly reminded of the ocean / water as I find it a very relaxing and feel somewhat connected to that type of environment (hence the username Amber Atlantis!), and Foxtrot is a ballroom dance, so I played around with the idea of combining ballroom dresses with [elements of] aquatic environments. After producing several experiments in my sketchbook of how I could merge these ideas and also manipulate materials, some under the influence of artists such as Ira Wood, Cyril Rolando and Michael Brennand Wood, I came up with the idea of creating a dress that metamorphosed into a waterfall at the bottom. 

I started by creating a small scale 'dress' by creating a torso shaped pillow to add dimension, and then sewed fabric around the waist line to create the lower section. I created samples from strips of the same fabric to find the best way of creating the waterfall. I tried using acrylic paint, spray enamel paint, plaster, and marbling nail polish onto the material. I decided to combine the acrylic and plaster as I thought it resembled the waterfall the most, and I liked the expressive quality it portrayed. 

To produce my final wall mounted piece, I made I bigger version of the 'dress' I previously made from the same material and technique. I cut separate strips, painted them with blue tones of acrylic and then applied plaster to the bottom. I attached a wire inside the dress at the waist line, and then used this as a base for hanging the other strips of fabric. Finally, I tied a ribbon around the waist and added and handmade bow around the waist for decoration / details, as well as adding some other strips of white fabric which I coloured with chalk and some other ribbons to the bottom. I'm quite happy with my final outcome because it has a dramatic sense of flow due to the resemblance of the waterfall, although I think it would be more effective as a hanging / suspended piece as opposed to wall mounted as it would heighten the hint of movement. Given more time, I would like to add more details, especially to the torso area as I left it plain to focus on the bottom. Here are some photos of my final design! :